Neumann

U-47

Condenser. Cardioid. Vintage 60's. FET Version.

1

Neumann

U-67

Tube Condenser. Multi Pattern. Vintage 60's.

Rebuilt by Ben Sneesby to original specifictions in 2009.

5

Neumann

U-87

Multi Pattern Condenser. Vintage 70's.

4

Neumann

SM-69

Stereo, Multi Pattern Tube Condenser.
Similar to having two U-67's in one housing.
Polar pattern can be changed on the power supply. Capsule angle can be changed on the body.
If you would like to use this mic for your session, please let us know in advance.

1

Neumann

KM-84

Small Diaphragm Cardioid Condenser.

1

Neumann

KM-54

Tube Small Diaphragm Cardioid Condenser. Rebuilt by Ben Sneesby to original specifictions in 2009.

2

Neumann

KM-56

Tube Small Diaphragm Multi-Pattern Condenser. Rebuilt by Ben Sneesby to original specifictions in 2009.

2

Neumann

KM-86

3 Pattern Small Diaphragm Condenser.

1

Neumann

KM-88

Multi Pattern Small Diaphragm Condenser.

1

RCA

DX-44

High-Fidelity Ribbon Mic. Bi-Directional. Excellent on about any source you can think of. Ours are from the late 30's/Early 40's.

4

RCA

DX-77

Polydirectional Ribbon Mic. We have the D (Vintage 1955) and DX (Vintage 1959) models.

5

RCA

Varacoustic

Polydirectional Ribbon Mic. This design was the predecessor to the DX-77. Ours are from 1945. If you would like to use them for your session, please let us know in advance.

4

RCA

BK-4A

Omnidirectional Ribbon-Pressure Microphone. Called the "Starmaker" by RCA for some reason. High fidelity, especially designed for television work. (1950)

1

Turner Dynamic

U9S

Dynamic "uni-directional" althought it sounds more like an omni. Was designed for U.S. military applications in 1940. Sounds like it looks.

2

Bees Neez

Jade

Boutique Large diaphragm tube condenser microphone designed around a military Spec NOS American Raytheon Subminiature vacuum tube. Hand built by Ben Sneesby at Bees Neez

1

Unidyne

III

Predecessor to the Shure SM-57. They were made from 1960 until the late 70's. Ours are from the 70's

2

Altec

639A

"Birdcage" This mic combines an omnidirectional dynamic and a Fig. 8 ribbon in one housing. By blending the transducer signals different polar pattern can be acheived.

This mic was one of the most used model of mics in recording and broadcast in America starting around 1938. A typical application can be seen here

Ours are the Altec models made some time after 1949.

2

Altec

633

"Salt Shaker" Small, dynamic mic.

2

Shure

Beta 57

Good sounding, well built, general purpose dynamic mic.

1

Shure

SM57

General purpose dynamic mic.

3 or 4

Shure

Beta 58

General purpose dynamic mic.

4

Shure

SM81

Small diaphragm cardioid condenser mic.

2

Sennheiser

441

Good sounding dynamic mic.

1

Sennheiser

421

Good sounding dynamic mic

2

Beyerdynamic

M500

Unidirectional ribbon mic. Very, very bright.

2

AKG

C-414 EB

Variable polar pattern condenser mic. We have two with the early model brass capsule and one with the later model mylar capsule.

3

AKG

C-535

Hand held hyper cardioid condenser mic

1

Electrovoice

RE-20

Good sounding cardioid dynamic mic. Designed to be more or less free of proximity effect.

3

Electrovoice

RE-15

Dynamic cardioid microphone. Good drum mic.

4

Electrovoice

RE-10

Supercardioid dynamic microphone.

1

Electrovoice

636

Omnidirectional dynamic microphone.

3

MXL

V67

Cardioid condenser microphone

1

MXL

V88

Cardioid condenser microphone

4

MXL

LSC1B

Hand held multi pattern condenser microphone

1